Film and Technology

Rodriguez is famous for getting his shooting done rather quickly. He has described his process as one long day of work, beginning with shots and moving into editing all within the same day. He likes to be able to review his work as it’s produced so that he knows what the final product might look like. Compare that to someone like George Lucas, who spends quite a bit of time and budget in post-production, and it’s easy to see that technology has taken film in very different directions.

Technology’s greatest impact is perhaps felt in new cameras that allow cinematographers to shoot in a higher definition, letting viewers take in more of the amazing work in set design. Technology also drives entire segments of film now, enabling movies that were not possible before. Here are some examples where technology has driven film making.

3D printing is set to reform film-production from a creation plan point of view. Idea specialists frequently plan with PC created symbolism (CGI) and PC helped outline (CAD) programming, which loans itself impeccably to imprinting in 3D. Since the innovation can likewise accomplish such modern levels of detail, print size and complete, props divisions on huge creations are grasping the adaptability and proficiency the procedure bears. 

Propshop, for instance, is a generation organization at Pinewood Studios that has been instrumental in delivering set pieces for some movies that our studio has taken a shot at, for instance the night vision goggles in Zero Dark Thirty and a full-scale tank outside for an activity set-piece in Fast and Furious 6. Indeed, even the overhang of Peter Quill's spaceship in Guardians of the Galaxy was 3D-printed. 

As of late discharged movies, for example, Ex Machina and Avengers: Age of Ultron additionally utilized Propshops' offices, where whole spaceships and sets can be printed and amassed. It's astounding to find by and by and keeping in mind that a few issues are still to be refined, it's an innovation that has progressed toward becoming some portion of the creation architect's toolbox.

Everybody is by all accounts discussing virtual reality (VR), an innovation that offers new and energizing approaches to expend data and stimulation. As a non-straight medium, VR conveys an altogether different survey involvement to the table. Fitting applications for film are as yet being investigated, however various players, for example, Oculus Story Studio, are endeavoring to characterize the best and most convincing VR silver screen positions. 

As a fashioner, I can see that VR offers energizing conceivable outcomes: as a dynamic new narrating medium; as a rich story gadget inside ordinary film; and as a useful, efficient preproduction device. With the sheer measure of idea craftsmanship and outline that is presently made in computerized 3D documents, VR offers generation architects another method for demonstrating a chief a full set condition finish with props, before it's manufactured. 

VR additionally offers new chances to make encounters that advance the fundamental true to life occasion, drenching the gathering of people in a motion picture before it starts, maybe through an off camera visit, a character backstory, or even a virtual meander through the film condition.

Today, the adaptability and instantaneous of computerized taping bodes well, however while this arrangement is as yet developing, celluloid is a medium at the apex of its innovation. 

With Interstellar shot on Imax 65mm and anticipated in 70mm, and the new round of Star Wars movies focused on anamorphic 35mm, the proceeding with effect of this all around created innovation ought not be belittled. While costly and requesting, its unparalleled picture quality, rich hues, profound tones and textural subtle elements keeps on pulling in energetic movie producers, for example, Christopher Nolan, Steven Spielberg, Quentin Tarantino and JJ Abrams, who are all battling to spare the configuration from out of date quality. 

In a culture that is constantly searching for littler, quicker and more helpful methods for getting things done, we can frequently desert an innovation before it achieves development. Film is still in fact predominant in some ways and devoted experts are as yet refining it. 

As a movement visual planner working in film, I can value that the fast advancement and adaptability of computerized has changed film-production, yet as a craftsman enthusiastic about specialty, I'm consoled film still has its place and stands its ground.